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	<title>Aharon&#039;s Omphalos &#187; solipsism</title>
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	<description>spinning navel lint into fine yarn</description>
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		<title>Audentity</title>
		<link>http://aharon.varady.net/omphalos/2006/08/audentity?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=audentity</link>
		<comments>http://aharon.varady.net/omphalos/2006/08/audentity#comments</comments>
		<pubDate>Sun, 20 Aug 2006 18:24:12 +0000</pubDate>
		<dc:creator>Aharon</dc:creator>
				<category><![CDATA[Art History]]></category>
		<category><![CDATA[Ears]]></category>
		<category><![CDATA[alienation]]></category>
		<category><![CDATA[cyclops]]></category>
		<category><![CDATA[solipsism]]></category>

		<guid isPermaLink="false">http://mog.com/spaceling/blog_post/9741</guid>
		<description><![CDATA[I haven&#8217;t used my MOGspace much to blog about Klaus Schulze, and it does reflect some personal bias on my part&#8230; I just have the hardest time separating out one of his albums musically from any of the others in his early discography. That&#8217;s why the cover art is so important in identifying what&#8217;s what. [...]]]></description>
			<content:encoded><![CDATA[<p>I haven&#8217;t used my MOGspace much to blog about Klaus Schulze, and it does reflect some personal bias on my part&#8230; I just have the hardest time separating out one of his albums musically  from any of the others in his early discography. That&#8217;s why the cover art is so important in identifying what&#8217;s what. (Check out Urs Amann&#8217;s art for Schulze in the 70s. Amann has an online gallery <a href="http://www.ursamann.ch/" target="_blank">here</a>).  In 1983, Klaus Schulze released <em>Audentity</em> featuring cover art by Claus Cordes showing a young fellow wearing slit sunglasses and art deco headphones. I&#8217;ve become so used to earlier Schulze tracks plodding along endlessly with atmospheric synthscapes I had forgotten that Schulze had a go at some energetic music. You&#8217;ll have to listen to &#8220;Sebastian Im Traum&#8221; know what I&#8217;m talking about.</p>
<p><a href="http://aharon.varady.net/omphalos/wp-content/uploads/2008/10/folder.jpg"><img class="aligncenter size-full wp-image-351" title="Urs Amann's Audentity for Klaus Schulze (1983) " src="http://aharon.varady.net/omphalos/wp-content/uploads/2008/10/folder.jpg" alt="" width="456" height="456" /></a></p>
<p>But I think the more significant thing about this album is the cover art. Check out those slit glasses. Remind you of anyone?</p>
<p style="text-align: center;">
<p style="text-align: center;"><img class="aligncenter" title="Geordi La Forge" src="http://mog.com/images/users/1367/1156095430.jpeg" alt="" width="320" height="322" /></p>
<p style="text-align: center;"><span style="color: #808080;">Geordi La Forge from Star Trek: The Next Generation (1987)</span></p>
<p>And speaking of slit glasses. How come I can&#8217;t find them anywhere? Why if fashion repeats itself has it taken so long for these to make a comeback? From my blog to your ears, Soho fashion geeks. I mean, take a look at this young gangster from John Carpenter&#8217;s whimsical 1986 synth-pop opera, <em>Big Trouble in Little China</em>.</p>
<p style="text-align: center;"><img class="aligncenter" src="http://mog.com/images/users/1367/1156098173.jpeg" alt="" width="315" height="484" /></p>
<p>I should also note that the soundtrack to <em>Big Trouble in Little China</em> by John Carpenter and Alan Howarth is excellent. <a href="http://www.soundtrack.net/soundtracks/database/?id=2116">Here&#8217;s</a> a quality review of it written back in 2003 by the fantastically named, Messrob Torikian. <span style="text-decoration: line-through;">I don&#8217;t have a copy of the soundtrack.</span> It is rare! It is also expensive. <span style="text-decoration: line-through;">If you have it, please share it with me. </span>Also, if you know of a supplier for retro sunglasses, please pass on my request.</p>
<p>UPDATE: Some follow-up thoughts to this post are blogged about <a href="http://aharon.varady.net/omphalos/2008/10/the-eye-that-blinds" target="_self">here</a>.</p>
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