{"id":1742,"date":"2003-01-24T18:17:56","date_gmt":"2003-01-25T02:17:56","guid":{"rendered":"http:\/\/aharon.varady.net\/omphalos\/?p=1742"},"modified":"2019-09-05T18:04:52","modified_gmt":"2019-09-06T01:04:52","slug":"update-2003-01-24","status":"publish","type":"post","link":"https:\/\/aharon.varady.net\/omphalos\/2003\/01\/update-2003-01-24","title":{"rendered":"update 2003-01-24"},"content":{"rendered":"

My hair is shorn. These protein strands have been growing since they were last cut in 1998. I had no appreciation of how much lighter my head would be with short hair. Length of shower time has also been reduced. Overall, I am satisfied with the results. So is Dad. And the girls in Planning seem to approve as well. The vanity I feel is outrageous!<\/p>\n

Since the first time I read Ecclesiastes<\/a>, I’ve understood vanity to refer to the fleeting nature of material things, that everything except plastic degrades, that things owned are eventually lost, and that the dead travel lightly. Solomon writes “all things are like breath, fleeting.” In the King James version, the word for fleeting, hevel<\/i>, is translated as vanity<\/i>: “Vanity of vanities, all is vanity…”<\/p>\n

Webster defines vanity as an excessive pride or conceit in one’s appearance or abilities, as well as things “trivial or pointless” lacking “real value: hollowness.” The vanity translated in King James is the latter, though often confused with the former. But even this latter translation of hevel<\/i> is misleading. Breath doesn’t lack real value… it may seem hollow, but in essence it is the vehicle through which God animates Adam. Adam’s secondborn son, Abel<\/a>, is named after this breath. What is fleeting about Abel is his very life, soon robbed by his firtsborn brother. Fleeting things are not trivial or pointless or hollow, rather, they are like life, full of potential, soon passing. (The vanity of hair in this sense is arguable: it continues to grow even after death, is fleeting for some and not others; and in any sense, hair is meaningful only in arbitrary culturally defined contexts, and functional only in the bitterly cold wintertime).<\/p>\n

Ever since I listened to Brian Eno and Harold Budd’s Plateaux of Mirror<\/i>, I’ve thought of the fleeting<\/i> as beautiful things hidden by their ubiquity, lost like music or poetry to meanings and feelings constantly changing from one moment to the next, one context to the next, and long explicated in the Japanese aesthetic of wabi-sabi<\/a>. In an occult or theosophic sense, I conceive the Initiate as the perceiver of the ambient and fleeting thing, archetypally referred to as the Fool, the Simpleton, or Wanderer. Indeed, this very website is named after the simple tone<\/i> which I imagine only the Simpleton could recognize and appreciate. This simpleton, in the devout sense of early Hassidism, is the same as the ish tam<\/i> or simple man<\/i>, the village idiot who alone among his congregants has the purity of heart for perfect devotion. On Yom Kippur, when the village fails in fasting and prayer, the fool succeeds through a whistle! But only the Master appreciates the fool’s freedom and individuality.<\/p>\n

The fool, though, is also represented in Solomon’s brother Avshalom, who after a failed coup-de-tat of his father’s kingdom, was caught by his extremely long hair in the branches of a terebinth tree as he rode beneath it on a donkey. The Hebrew word for donkey is chamor<\/i>. The same word pronounced slightly differently, chomer<\/i>, means “physicality” and symbolises material wealth. A donkey later leads Solomon to his coronation. The vanity Solomon writes of in Ecclesiastes probably doesn’t refer to the length of his brother’s hair or the wealth of princes but to his bother’s fleeting life and his great plans. Additionally, Avshalom’s cautionary tale clearly teaches that by keeping your hair short, not only can you ride your donkey without fear, but your ass will also lead you towards ever greater prospects.<\/p>\n

In 1993, in Israel<\/a>, I had my hair cut short. I had been struggling to conform the lovely pretenses of my teenage identity with a certain anonymity and humility approached through devotion, and I was also being pressured to conform to the superficial ideals of a pious monastic community. I let it grow again when I returned to the US. I hid the long peyot of my secret Hassidut among other longer locks. This was fine as long as I was practicing Judaism alone at the University of Cincinnati — my appearance need not conform to the ideals of an orthodox community. Later, in Binghamton and Philadelphia, I developed an apology for my long hair by commenting on a famous story from the Talmud<\/a> on the reformation of the bandit Rabbi, Resh Lakish. Resh Lakish left banditry for yeshiva life after the failed rape of Rabbi Yochanan who he had mistaken for an exceptionally beautiful woman. (I explained that Resh Lakish would never have confused Rabbi Yochanan for a bathing beauty if Yochanan hadn’t worn long hair, and hence, if Rav Yochanan could wear long hair, then so could I).<\/p>\n

But my long hair and self-absorbed identity politics failed to attract an orthodox jewish female. Embittered, I cut my hair again in 1998. I was in Philadelphia, and this occured just before I met my super girlfriend Ray<\/a> and began to develop the ambient consortium. My hair grew back, this time inspired by hacker culture and German electronic space music pioneers.<\/p>\n

It is 2003 and I’m out of the back office of Datarealm, no longer hacking PERL, and about to begin interviews again as an Idealistic Planner and Advocate of Green Technologies. My freakdom is carefully hidden by a superficial absence of hair. Now that my hair is gone, could someone please show me to my ass?<\/p>\n","protected":false},"excerpt":{"rendered":"

My hair is shorn. These protein strands have been growing since they were last cut in 1998. I had no appreciation of how much lighter my head would be with short hair. Length of shower time has also been reduced. Overall, I am satisfied with the results. So is Dad. And the girls in Planning . . . → Continue reading: update 2003-01-24<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[80],"tags":[],"class_list":["post-1742","post","type-post","status-publish","format-standard","hentry","category-adventure","odd"],"yoast_head":"\nupdate 2003-01-24 • Aharon's Omphalos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aharon.varady.net\/omphalos\/2003\/01\/update-2003-01-24\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"update 2003-01-24 • Aharon's Omphalos\" \/>\n<meta property=\"og:description\" content=\"My hair is shorn. 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Varady","date":"June 11, 2012","format":false,"excerpt":"I want to share one of the most beautiful Jewish ecology quotes I learned while reading through the curricular material while teaching at Teva Learning Center in (now Teva Learning Alliance) in the fall of 2010. 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Varady","date":"June 9, 2008","format":false,"excerpt":"From her yeshivah digs in Jerusalem, Gella Solomon (of Nogah Chadash) writes to me of an aggadic commentary she's recently composed on the story of Cain and Abel (or transliterated, Qayin and Hevel). Her midrash, narrated by Cain is deeply humanistic -- Cain expresses himself and his experience of fratricide\u2026","rel":"","context":"In "Mythology"","block_context":{"text":"Mythology","link":"https:\/\/aharon.varady.net\/omphalos\/category\/yiddishkeit\/mythology"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2008\/06\/750px-Albrecht_D%C3%BCrer_-_Cain_Killing_Abel_NGA_1943.3.3671.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2008\/06\/750px-Albrecht_D%C3%BCrer_-_Cain_Killing_Abel_NGA_1943.3.3671.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2008\/06\/750px-Albrecht_D%C3%BCrer_-_Cain_Killing_Abel_NGA_1943.3.3671.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2008\/06\/750px-Albrecht_D%C3%BCrer_-_Cain_Killing_Abel_NGA_1943.3.3671.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":243,"url":"https:\/\/aharon.varady.net\/omphalos\/2008\/09\/post-parks-conference-thoughts","url_meta":{"origin":1742,"position":3},"title":"Post-Parks Conference Thoughts","author":"Aharon N. Varady","date":"September 24, 2008","format":false,"excerpt":"I've taken more notes than I've been able to blog just yet, and the conference is already over. I came to the conference to see what opportunities there might be for a former researcher for a major park advocacy group to stroll back into the world of park professionals after\u2026","rel":"","context":"In "Planning"","block_context":{"text":"Planning","link":"https:\/\/aharon.varady.net\/omphalos\/category\/planning"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":85,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/baba-oriley-and-peter-baumann","url_meta":{"origin":1742,"position":4},"title":"Baba O’Riley and Peter Baumann","author":"Aharon N. Varady","date":"July 12, 2006","format":false,"excerpt":"I'm listening to Trans Harmonic Nights by Peter Baumann (1979) and it's hard to miss why Tangerine Dream sounded so much better before he left that seminal electronic-space jam band in 1977. The artist knew how to sequence baroque melodies and sing lullabies into vocoders. Baumann must have been an\u2026","rel":"","context":"In "Music"","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":90,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/on-the-lookout-for-electro-baroque-und-beethoven","url_meta":{"origin":1742,"position":5},"title":"On the lookout for electro-baroque (und beethoven)","author":"Aharon N. Varady","date":"July 1, 2006","format":false,"excerpt":"Part of the mystery of progressive rock in the 70s and early 80s were bands covering Beethoven and J.S. Bach. Listen for example to \"Beethoven's Ninth Symphony\" on Jethro Tull's A Sackful of Trouser Snakes (1977) or \"Cans and Brahms\" on Fragile by Yes (1972). In prog circles, this sub-genre\u2026","rel":"","context":"In "Music"","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/1742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/comments?post=1742"}],"version-history":[{"count":8,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/1742\/revisions"}],"predecessor-version":[{"id":3022,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/1742\/revisions\/3022"}],"wp:attachment":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/media?parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/categories?post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/tags?post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}