{"id":642,"date":"2009-01-13T01:12:00","date_gmt":"2009-01-13T09:12:00","guid":{"rendered":"http:\/\/aharon.varady.net\/omphalos\/?p=642"},"modified":"2014-10-26T09:31:02","modified_gmt":"2014-10-26T16:31:02","slug":"amplified-harmonic-resonance-playlist-for-monday-morning-2009-01-12","status":"publish","type":"post","link":"https:\/\/aharon.varady.net\/omphalos\/2009\/01\/amplified-harmonic-resonance-playlist-for-monday-morning-2009-01-12","title":{"rendered":"Amplified Harmonic Resonance: Playlist for Monday morning, 2009-01-12"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Amplified Harmonic Resonance, Playlist for Monday morning, 2009-01-12, programmer: dj Magical Adventures of Duffy Moon, 7am-1pm EST
\n<\/strong><\/td>\n<\/tr>\n
Year<\/strong><\/td>\nArtist<\/strong><\/td>\nAlbum<\/strong><\/td>\nTrack No.<\/strong><\/td>\nTitle<\/strong><\/td>\n<\/tr>\n
1989<\/td>\nPhilip Glass<\/td>\n1000 Airplanes on the Roof<\/td>\n1<\/td>\n1000 Airplanes on the Roof<\/td>\n<\/tr>\n
1989<\/td>\nPhilip Glass<\/td>\n1000 Airplanes on the Roof<\/td>\n2<\/td>\nCity Walk<\/td>\n<\/tr>\n
2007<\/td>\nChristopher DeLaurenti<\/td>\nFavorite Intermissions<\/td>\n2<\/td>\nBefore Petrushka<\/td>\n<\/tr>\n
1995<\/td>\nCoco, Steel & Lovebomb<\/td>\nemit 2295<\/td>\n3<\/td>\nBerlinerstrasse<\/td>\n<\/tr>\n
1999<\/td>\nD*Note<\/td>\nSteve Reich Remixed<\/td>\n7<\/td>\nPiano Phase (Phased and konfused mix)<\/td>\n<\/tr>\n
1977<\/td>\nPierrot Lunaire<\/td>\nGudrun<\/td>\n1<\/td>\nGudrun<\/td>\n<\/tr>\n
1977<\/td>\nPierrot Lunaire<\/td>\nGudrun<\/td>\n2<\/td>\nDietro Il Silenzio<\/td>\n<\/tr>\n
1977<\/td>\nPierrot Lunaire<\/td>\nGudrun<\/td>\n3<\/td>\nPlaisir d’amour<\/td>\n<\/tr>\n
1975<\/td>\nZao<\/td>\nOsiris<\/td>\n1<\/td>\nShardaz<\/td>\n<\/tr>\n
1975<\/td>\nZao<\/td>\nOsiris<\/td>\n2<\/td>\nIsis<\/td>\n<\/tr>\n
1975<\/td>\nZao<\/td>\nOsiris<\/td>\n3<\/td>\nReinna<\/td>\n<\/tr>\n
1978<\/td>\nJean-Luc Ponty<\/td>\nCosmic Messenger<\/td>\n1<\/td>\nCosmic Messenger<\/td>\n<\/tr>\n
1978<\/td>\nJean-Luc Ponty<\/td>\nCosmic Messenger<\/td>\n8<\/td>\nEgocentric Molecules<\/td>\n<\/tr>\n
1982<\/td>\nYoshitaka Azuma<\/td>\nFar From Asia<\/td>\n1<\/td>\nToki<\/td>\n<\/tr>\n
2004<\/td>\nMiles Tilmann<\/td>\n3D Concepts<\/td>\n4<\/td>\nParticle 3<\/td>\n<\/tr>\n
1997<\/td>\nThe Conet Project<\/td>\nRecordings of Shortwave Numbers Stations (Disc 2)<\/td>\n39<\/td>\nHigh Pitch Polytone<\/td>\n<\/tr>\n
1997<\/td>\nDoctor Y.S. & the Cosmic Drunkards<\/td>\nSublime The Adolescence<\/td>\n10<\/td>\n“Open The Bass, Shut The Door”<\/td>\n<\/tr>\n
1998<\/td>\nClint Mansell<\/td>\nPi<\/td>\n1<\/td>\npi R Squared<\/td>\n<\/tr>\n
1998<\/td>\nClint Mansell<\/td>\nPi<\/td>\n9<\/td>\n2^pi R<\/td>\n<\/tr>\n
2000<\/td>\nYoshihiro Sawasaki<\/td>\nBoogiepop Phantom (Disc 2)<\/td>\n4<\/td>\nSnow Coast<\/td>\n<\/tr>\n
1999<\/td>\nLegion of Green Men<\/td>\nFloating In Shallow Water<\/td>\n1<\/td>\n“For Maria, Wherever I May Find Her”<\/td>\n<\/tr>\n
1996<\/td>\nDJ Shadow<\/td>\nEndtroducing…<\/td>\n9<\/td>\nOrgan Donor<\/td>\n<\/tr>\n
2004<\/td>\nDopplebanger<\/td>\n<\/td>\n<\/td>\nFlash Runner (Vangelis vs Grandmaster Flash)<\/td>\n<\/tr>\n
1977<\/td>\nLaurie Anderson<\/td>\nNew Music For Electronic and Recorded Media: Women in Electronic Music<\/td>\n7<\/td>\nNew York Social Life<\/td>\n<\/tr>\n
1998<\/td>\nCoil<\/td>\nTime Machines<\/td>\n1<\/td>\n7-Methoxy-\u00df-Carboline: (Telepathine)<\/td>\n<\/tr>\n
1973<\/td>\nFred Myrow<\/td>\nSoylent Green<\/td>\n9<\/td>\n“Symphony Music (Tchaikovsky, Beethoven, Grieg)”<\/td>\n<\/tr>\n
1990<\/td>\nFran\u00c3\u00a7ois Bayle<\/td>\nErosphere<\/td>\n1<\/td>\nClimat 1<\/td>\n<\/tr>\n
1990<\/td>\nFran\u00c3\u00a7ois Bayle<\/td>\nErosphere<\/td>\n2<\/td>\nTransit 1<\/td>\n<\/tr>\n
1990<\/td>\nFran\u00c3\u00a7ois Bayle<\/td>\nErosphere<\/td>\n3<\/td>\nPaysage 1<\/td>\n<\/tr>\n
1990<\/td>\nFran\u00c3\u00a7ois Bayle<\/td>\nErosphere<\/td>\n4<\/td>\nClimat 2<\/td>\n<\/tr>\n
1971<\/td>\nPaul Alan Levi<\/td>\nPBS idents<\/td>\n<\/td>\nPBS ident No. 2<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n1<\/td>\nPiece One<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n2<\/td>\nPiece Two<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n3<\/td>\nPiece Three<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n4<\/td>\nPiece Four<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n5<\/td>\nPiece Five<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n6<\/td>\nPiece Six<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n7<\/td>\nPiece Seven<\/td>\n<\/tr>\n
2002<\/td>\nGelg<\/td>\nLook Around You<\/td>\n8<\/td>\nPiece Eight<\/td>\n<\/tr>\n
2000<\/td>\nCarey Burtt<\/td>\nMind Control Made Easy or How to Become a Cult Leader<\/td>\n<\/td>\nMind Control Made Easy or How to Become a Cult Leader<\/td>\n<\/tr>\n
1999<\/td>\nFantastic Plastic Machine<\/td>\nLuxury<\/td>\n13<\/td>\nMr. Fantasy’s Love<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n1<\/td>\nDream of the Endless<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n2<\/td>\nArctica<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n3<\/td>\nSpengly Bengly<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n4<\/td>\nPylonesque<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n5<\/td>\nFantastic Light<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n6<\/td>\nPerlandine Friday<\/td>\n<\/tr>\n
2002<\/td>\nChrist.<\/td>\nPylonesque EP<\/td>\n7<\/td>\nAbsolom (For Lucy)<\/td>\n<\/tr>\n
2000<\/td>\nLegendary Pink Dots<\/td>\nWild Planet<\/td>\n13<\/td>\nFate’s Faithful Punchline (version)<\/td>\n<\/tr>\n
2001<\/td>\nMiles Tilmann<\/td>\nXmasep 2<\/td>\n1<\/td>\nParticle Song 1<\/td>\n<\/tr>\n
2001<\/td>\nMiles Tilmann<\/td>\nXmasep 2<\/td>\n2<\/td>\nWinder<\/td>\n<\/tr>\n
2001<\/td>\nMiles Tilmann<\/td>\nXmasep 2<\/td>\n3<\/td>\nMercury 2<\/td>\n<\/tr>\n
2001<\/td>\nMiles Tilmann<\/td>\nXmasep 2<\/td>\n4<\/td>\nAlpha Chime<\/td>\n<\/tr>\n
2001<\/td>\nMiles Tilmann<\/td>\nXmasep 2<\/td>\n5<\/td>\nMiddle Fields<\/td>\n<\/tr>\n
1995<\/td>\nEmergency Broadcast Network<\/td>\nTelecommunication Breakdown<\/td>\n17<\/td>\n3:7:8<\/td>\n<\/tr>\n
1995<\/td>\nEmergency Broadcast Network<\/td>\nTelecommunication Breakdown<\/td>\n18<\/td>\nBeginning Of The End<\/td>\n<\/tr>\n
1984<\/td>\nAngel Rada<\/td>\nEurock ~ A History of… vol. 6: South American Fusion<\/td>\n12<\/td>\nKundalini<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"Sol's<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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