\nAmplified Harmonic Resonance, Playlist for Monday morning, 2009-01-19, programmer: dj Magical Adventures of Duffy Moon, 7am-10:30pm EST<\/strong><\/td>\n<\/tr>\n\nYear<\/strong><\/td>\nArtist<\/strong><\/td>\nAlbum<\/strong><\/td>\nTrack<\/strong><\/td>\nTitle<\/strong><\/td>\n<\/tr>\n\n| 1993<\/td>\n | Deeper than Space<\/td>\n | Earthrise<\/td>\n | 3<\/td>\n | Earthrise<\/td>\n<\/tr>\n | \n| 1957<\/td>\n | Marcel Duchamp<\/td>\n | The Creative Act<\/td>\n | 1<\/td>\n | The Creative Act (Houston, TX, April 1957)<\/td>\n<\/tr>\n | \n| 1975<\/td>\n | Franco Falsini<\/td>\n | Naso Fredo (Cold Nose)<\/td>\n | 1<\/td>\n | Naso Fredo (Cold Nose) Part 1<\/td>\n<\/tr>\n | \n| 1975<\/td>\n | Franco Falsini<\/td>\n | Naso Fredo (Cold Nose)<\/td>\n | 2<\/td>\n | Naso Fredo (Cold Nose) Part 2<\/td>\n<\/tr>\n | \n| 1978<\/td>\n | Banco<\/td>\n | …Di Terra<\/td>\n | 1<\/td>\n | Nel Cielo e Nelle Altre Cose Mute (Do largo)<\/td>\n<\/tr>\n | \n| 1978<\/td>\n | Banco<\/td>\n | …Di Terra<\/td>\n | 2<\/td>\n | Terramadre (Sol improvviso)<\/td>\n<\/tr>\n | \n| 1978<\/td>\n | Banco<\/td>\n | …Di Terra<\/td>\n | 3<\/td>\n | Non Senza Dolore (Chorale in Fa minore)<\/td>\n<\/tr>\n | \n| 1978<\/td>\n | Banco<\/td>\n | …Di Terra<\/td>\n | 4<\/td>\n | Io Vivo (Fusione per trenta elementi)<\/td>\n<\/tr>\n | \n| 1993<\/td>\n | Pekka Kostiainen<\/td>\n | Runo (Northern Lights)<\/td>\n | 1<\/td>\n | Morsiamen Iahtovirsi (Bride’s Farewell)<\/td>\n<\/tr>\n | \n| 2007<\/td>\n | Hope for Agoldensummer<\/td>\n | Ariadne Thread<\/td>\n | 11<\/td>\n | Page’s Instrumental<\/td>\n<\/tr>\n | \n| 1994<\/td>\n | Skylab<\/td>\n | #1<\/td>\n | 2<\/td>\n | Seashell<\/td>\n<\/tr>\n | \n| 1966<\/td>\n | Jack Finlay, Douglas Grindstaff & Joseph Sorokin<\/td>\n | Star Trek: Original TV Series Sound Effects<\/td>\n | 8<\/td>\n | Communicator beeps<\/td>\n<\/tr>\n | \n| 1966<\/td>\n | Jack Finlay, Douglas Grindstaff & Joseph Sorokin<\/td>\n | Star Trek: Original TV Series Sound Effects<\/td>\n | 5<\/td>\n | Dematerialization<\/td>\n<\/tr>\n | \n| 1966<\/td>\n | Jack Finlay, Douglas Grindstaff & Joseph Sorokin<\/td>\n | Star Trek: Original TV Series Sound Effects<\/td>\n | 6<\/td>\n | Materialization<\/td>\n<\/tr>\n | \n| 2003<\/td>\n | Christ.<\/td>\n | Metamorphic Reproduction Miracle<\/td>\n | 1<\/td>\n | Lazy Daisy Meadow<\/td>\n<\/tr>\n | \n| 1999<\/td>\n | Jah Wobble<\/td>\n | Hashisheen: The End Of Law<\/td>\n | 13<\/td>\n | The Divine Self<\/td>\n<\/tr>\n | \n| 2000<\/td>\n | DJ Food<\/td>\n | Kaleidoscope<\/td>\n | 7<\/td>\n | Nocturne (Sleep Dyad 1)<\/td>\n<\/tr>\n | \n| n\/a<\/td>\n | Don Joyce and the Professor<\/td>\n | Over the Edge: The Trip Receptacles<\/td>\n | 9<\/td>\n | Show 1 (Part 9): The Sumerian underworld is Channel 26<\/td>\n<\/tr>\n | \n| 1996<\/td>\n | Stereolab<\/td>\n | Noises<\/td>\n | 4<\/td>\n | Les Yper Yper Sound<\/td>\n<\/tr>\n | \n| 1994<\/td>\n | Legion of Green Men<\/td>\n | Spatial Specific<\/td>\n | 7<\/td>\n | Interim Opuscule #57<\/td>\n<\/tr>\n | \n| 1979<\/td>\n | M<\/td>\n | Pop Muzik<\/td>\n | 1<\/td>\n | Pop Muzik<\/td>\n<\/tr>\n | \n| 1997<\/td>\n | Mantronix<\/td>\n | Booming On Pluto: Electro For Droids (disc 1)<\/td>\n | 9<\/td>\n | Bassline (Latin Rascals Edit)<\/td>\n<\/tr>\n | \n| 1984<\/td>\n | Ollie Brown<\/td>\n | Revenge of the Nerds<\/td>\n | 33<\/td>\n | They’re So Incredible<\/td>\n<\/tr>\n | \n| 1984<\/td>\n | Michelle Meyrink<\/td>\n | Revenge of the Nerds<\/td>\n | 16<\/td>\n | So I say I gotta be free, so I say I gotta be me<\/td>\n<\/tr>\n | \n| 1987<\/td>\n | Model 500<\/td>\n | Booming On Pluto: Electro For Droids (disc 1)<\/td>\n | 1<\/td>\n | Night Drive (Time, Space, Transmat)<\/td>\n<\/tr>\n | \n| 1985<\/td>\n | Michael Kamen<\/td>\n | Brazil<\/td>\n | 3<\/td>\n | Ducts<\/td>\n<\/tr>\n | \n| 1995<\/td>\n | Mike & Rich<\/td>\n | Expert Knob Twiddlers<\/td>\n | 3<\/td>\n | Eggy Toast<\/td>\n<\/tr>\n | \n| 1971<\/td>\n | Paul Alan Levi<\/td>\n | PBS idents<\/td>\n | <\/td>\n | PBS ident<\/td>\n<\/tr>\n | \n| 1981<\/td>\n | Philip K. Dick<\/td>\n | David Roel’s PKD Tapes<\/td>\n | 10<\/td>\n | On Vonnegut<\/td>\n<\/tr>\n | \n| 1966<\/td>\n | The Beatles<\/td>\n | Anthology 5: Advanced Test (disc 2)<\/td>\n | 22<\/td>\n | Aerial Tour Instrumental<\/td>\n<\/tr>\n | \n| 1963<\/td>\n | Max Mathews<\/td>\n | Moog Spaceport Lounge Vol.1<\/td>\n | 10<\/td>\n | Daisy Bell (bicycle built for two)<\/td>\n<\/tr>\n | \n| 1990<\/td>\n | Laurie Spiegel<\/td>\n | Unseen Worlds<\/td>\n | 10<\/td>\n | Strand of Life (Viroid)<\/td>\n<\/tr>\n | \n| 1998<\/td>\n | Japancakes<\/td>\n | Sounds to Soothe a Nervous Robot<\/td>\n | 14<\/td>\n | Ala Rakha<\/td>\n<\/tr>\n | \n| 1971<\/td>\n | Leslie Bricusse & Anthony Newley<\/td>\n | Willy Wonka & The Chocolate Factory<\/td>\n | 7<\/td>\n | Pure Imagination<\/td>\n<\/tr>\n | \n| 2001<\/td>\n | R\u00f6yksopp<\/td>\n | Melody A.M.<\/td>\n | 8<\/td>\n | Remind Me<\/td>\n<\/tr>\n | \n| 2000<\/td>\n | Lakshminarayana Shankar<\/td>\n | Eternal Light<\/td>\n | 1<\/td>\n | Ragamalika<\/td>\n<\/tr>\n | \n| 1984<\/td>\n | Tracey Walter<\/td>\n | Repo Man<\/td>\n | <\/td>\n | cosmic unconsciousness [Repo Man sample]<\/td>\n<\/tr>\n | \n| 1972<\/td>\n | Styx<\/td>\n | Styx II<\/td>\n | 5<\/td>\n | Little Fugue In “G”<\/td>\n<\/tr>\n | \n| 1979<\/td>\n | Robert Fripp<\/td>\n | Exposure<\/td>\n | 14<\/td>\n | Water Music<\/td>\n<\/tr>\n | \n| 1979<\/td>\n | Robert Fripp<\/td>\n | Exposure<\/td>\n | 16<\/td>\n | Water Music II<\/td>\n<\/tr>\n | \n| 1972<\/td>\n | Yes<\/td>\n | Fragile<\/td>\n | 2<\/td>\n | Cans and Brahms<\/td>\n<\/tr>\n | \n| 1971<\/td>\n | Terry Tucker<\/td>\n | Music From A Clockwork Orange<\/td>\n | 10<\/td>\n | Overture to the Sun<\/td>\n<\/tr>\n | \n| 1998<\/td>\n | Nipples for Days<\/td>\n | Sounds to Soothe a Nervous Robot<\/td>\n | 10<\/td>\n | Classical Ass 2.0<\/td>\n<\/tr>\n | \n| 1993<\/td>\n | Stereolab & Nurse With Wound<\/td>\n | Crumb Duck<\/td>\n | 4<\/td>\n | Animal or Vegetable (A Wonderful Wooden Reason)<\/td>\n<\/tr>\n | \n| 2005<\/td>\n | Stu Phillips<\/td>\n | Knight Rider (The Stu Phillips Scores)<\/td>\n | 15<\/td>\n | Through a Truck\/Airport Chase<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<\/p>\n Amplified Harmonic Resonance, Playlist for Monday morning, 2009-01-19, programmer: dj Magical Adventures of Duffy Moon, 7am-10:30pm EST Year Artist Album Track Title 1993 Deeper than Space Earthrise 3 Earthrise 1957 Marcel Duchamp The Creative Act 1 The Creative Act (Houston, TX, April 1957) 1975 Franco Falsini Naso Fredo (Cold Nose) 1 Naso Fredo (Cold . . . → Continue reading: Amplified Harmonic Resonance: Playlist for Monday morning, 2009-01-19<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[15],"tags":[122,123,124,207],"class_list":["post-663","post","type-post","status-publish","format-standard","hentry","category-music","tag-philadelphia","tag-wkdu","tag-radio","tag-amplified-harmonic-resonance","odd"],"yoast_head":"\nAmplified Harmonic Resonance: Playlist for Monday morning, 2009-01-19 • Aharon's Omphalos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aharon.varady.net\/omphalos\/2009\/01\/amplified-harmonic-resonance-playlist-for-monday-morning-2009-01-19\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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He is particularly interested in pedagogies for advancing ecological wisdom, developing creative and emotional intelligence, and realizing effective theurgical praxes. He welcomes your comments, personal messages, and kind words. If you find his work helpful to your own or you'd simply like to support him, please consider donating via his Patreon account.","sameAs":["https:\/\/aharon.varady.net","http:\/\/facebook.com\/aharonium","https:\/\/x.com\/http:\/\/twitter.com\/aharonium"],"url":"https:\/\/aharon.varady.net\/omphalos\/author\/admin"}]}},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pgdGV-aH","jetpack-related-posts":[{"id":604,"url":"https:\/\/aharon.varady.net\/omphalos\/2009\/01\/amplified-harmonic-resonance-playlist-for-monday-morning-2009-01-05","url_meta":{"origin":663,"position":0},"title":"Amplified Harmonic Resonance: Playlist for Monday morning, 2009-01-05","author":"Aharon N. 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Varady","date":"October 18, 2006","format":false,"excerpt":"I've been listening to a lot more radio this past month. This is a good thing. For a long while I felt like I needed to play catch up with my music collection. From the MOG -O-MATIC perspec, I've been MIA , but really I've been here all along. Baton\u2026","rel":"","context":"In "Music"","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3023,"url":"https:\/\/aharon.varady.net\/omphalos\/2019\/09\/the-masoretic-text-of-the-pentateuch-color-coded-according-to-its-narrative-layers-as-delineated-by-the-supplementary-hypothesis","url_meta":{"origin":663,"position":5},"title":"The Masoretic Text of the Pentateuch, color-coded according to its narrative layers as delineated by the Supplementary Hypothesis of Tzema\u1e25 Yoreh","author":"Aharon N. Varady","date":"September 11, 2019","format":false,"excerpt":"Last night, I finished a year long project begun after Sim\u1e25at Torah in 2018, presenting the Masoretic Hebrew text of the parashot (weekly Torah readings) with English translation in a range of colors according to the way the narrative layers are parsed through the Supplementary hypothesis as read by Dr.\u2026","rel":"","context":"In "Mythology"","block_context":{"text":"Mythology","link":"https:\/\/aharon.varady.net\/omphalos\/category\/yiddishkeit\/mythology"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2019\/09\/Jordan_River_valley_01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2019\/09\/Jordan_River_valley_01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2019\/09\/Jordan_River_valley_01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2019\/09\/Jordan_River_valley_01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2019\/09\/Jordan_River_valley_01.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/comments?post=663"}],"version-history":[{"count":5,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/663\/revisions"}],"predecessor-version":[{"id":1707,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/663\/revisions\/1707"}],"wp:attachment":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/media?parent=663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/categories?post=663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/tags?post=663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | |
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