{"id":77,"date":"2006-08-05T11:17:59","date_gmt":"2006-08-05T17:17:59","guid":{"rendered":"http:\/\/mog.com\/spaceling\/blog_post\/7500"},"modified":"2019-09-05T17:36:21","modified_gmt":"2019-09-06T00:36:21","slug":"sur-le-theme-de-bene-gesserit","status":"publish","type":"post","link":"https:\/\/aharon.varady.net\/omphalos\/2006\/08\/sur-le-theme-de-bene-gesserit","title":{"rendered":"Sur Le Theme De Bene Gesserit"},"content":{"rendered":"<p>As a follow up to my last post on the origins of ambient music and cryptic homages left to Philip K. Dick, I thought I&#8217;d write a little something something on the theme of electronic music inspired by the fantastic in general. <a href=\"http:\/\/web.archive.org\/web\/20120912062353\/http:\/\/mog.com:80\/Jess_Horrible\">J. Horrible<\/a> had commented\/questioned on whether I had read Roger Zelazny which made me wonder whether she had known of any music inspired by the writer. And at that moment I noticed I was listening to <em>Chronolyse<\/em> (1976) by Richard Pinhas, an electonic album inspired by Frank Herbert&#8217;s novel <em>Dune<\/em> (1965). This album predated the David Lynch film so set aside premonitions of an Angelo Badalamenti score&#8230; for all I know this could have been the score for the <a href=\"https:\/\/web.archive.org\/web\/20110429101454\/http:\/\/www.duneinfo.com:80\/unseen\/jodorowsky.asp\">unrealized<\/a> Alejandro Jadorowsky directed <em>Dune<\/em> film.<\/p>\n<p>The album comes in three parts, really:  &#8220;Sur Le Them De Bene Gesserit&#8221; (Parts I-VII), &#8220;Duncan Idaho,&#8221; and  a thirty minute Fripp-ish multi-track guitar improv jam with drums and accompanying synth sounds entitled &#8220;Paul Atreides.&#8221;<\/p>\n<p>The connection between science-fiction and the evolution of electronic music is deep. Just consider the influence of Gy\u00f6rgy Ligeti and Wendy Carlos&#8217; scores for Stanley Kurbrick&#8217;s <em>2001: A Space Odyssey<\/em> (Arthur C. Clark) and <em>A Clockwork Orange<\/em> (Anthony Burgess). I&#8217;m wondering  now what the musical accompaniment may have been for Karel \u010capek&#8217;s play <a href=\"http:\/\/en.wikipedia.org\/wiki\/R.U.R._%28Rossum%27s_Universal_Robots%29\">Rossum&#8217;s Universal Robots<\/a> (and its numerous adaptations).<\/p>\n<p>Please comment if you know of any other electronic music inspired by fantastic or fabulist literature.<\/p>\n<div id=\"attachment_2608\" style=\"width: 863px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2608\" src=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit.png\" alt=\"\" width=\"853\" height=\"361\" class=\"size-full wp-image-2608\" srcset=\"https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit.png 853w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit-300x127.png 300w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit-768x325.png 768w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit-150x63.png 150w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/08\/Duncan-Idaho-Shield-Suit-400x169.png 400w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><p id=\"caption-attachment-2608\" class=\"wp-caption-text\">Duncan Idaho&#8217;s Shield Suit  upon being activated. From the film DUNE (1984)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>As a follow up to my last post on the origins of ambient music and cryptic homages left to Philip K. Dick, I thought I&#8217;d write a little something something on the theme of electronic music inspired by the fantastic in general. J. Horrible had commented\/questioned on whether I had read Roger Zelazny which made [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","odd"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sur Le Theme De Bene Gesserit &#8226; Aharon&#039;s Omphalos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aharon.varady.net\/omphalos\/2006\/08\/sur-le-theme-de-bene-gesserit\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sur Le Theme De Bene Gesserit &#8226; Aharon&#039;s Omphalos\" \/>\n<meta property=\"og:description\" content=\"As a follow up to my last post on the origins of ambient music and cryptic homages left to Philip K. 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