{"id":80,"date":"2006-07-23T22:22:06","date_gmt":"2006-07-24T04:22:06","guid":{"rendered":"http:\/\/mog.com\/spaceling\/blog_post\/5761"},"modified":"2017-01-07T15:19:01","modified_gmt":"2017-01-07T23:19:01","slug":"claude-bolling","status":"publish","type":"post","link":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/claude-bolling","title":{"rendered":"Claude Bolling"},"content":{"rendered":"<p>In an earlier post, I wrote about the influence of baroque on the development of progressive-electronic music (see &#8220;<a href=\"http:\/\/aharon.varady.net\/omphalos\/2006\/07\/on-the-lookout-for-electro-baroque-und-beethoven\">On the lookout for electro-baroque und beethoven<\/a>&#8220;). After listening to some recommended albums by The Nice and Emerson, Lake, and Palmer, I realized that I had totally forgotten to mention Claude Bolling.<\/p>\n<p>Beginning in the mid-70s when all of the rest of this was percolating, Bolling burst onto the classical and jazz scene with these incredible albums featuring classical melodies and instrumentation with jazz drum accompaniment and swinging rhythms.<\/p>\n<p>Compare &#8220;Bourr\u00e9e&#8221; by Jethro Tull side by side <em>Suite for Flute and Jazz Piano Trio<\/em> (1975) and you&#8217;ll hear the progressive connection immediately. (I despair to think the reason I hadn&#8217;t sooner was because these genre classifications: classical, jazz, rock, have taken root.)<\/p>\n<p>I&#8217;d especially recommend <em>Picnic Suite<\/em> (1981), <em>Toot Suite<\/em> (1981),  <em>Suite for Cello and Jazz Piano Trio<\/em> (1984), and <em>Suite for Violin and Jazz Piano Trio<\/em> (1984). You can easily spot Bolling&#8217;s albums in thrift and used record store bins. The airbrushed cover art is all by Roger Huyssen. See below for Huyssen&#8217;s artwork for <em>Suite for Flute and Jazz Piano Trio<\/em>.<\/p>\n<p>If you find you like Bolling&#8217;s classical compositions, check out his catchy score to the Italian TV series <em>Borsalino and Co.<\/em> (1970) and his rags album <em>Ragtime Boogie-Woogie<\/em> (1970). (no shuggie).<\/p>\n<p><a href=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-2.jpg\" alt=\"\" width=\"300\" height=\"262\" class=\"aligncenter size-full wp-image-2641\" srcset=\"https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-2.jpg 300w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-2-150x131.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> <a href=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-1.jpg\" alt=\"\" width=\"400\" height=\"390\" class=\"aligncenter size-full wp-image-2640\" srcset=\"https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-1.jpg 400w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-1-300x293.jpg 300w, https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-1-150x146.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In an earlier post, I wrote about the influence of baroque on the development of progressive-electronic music (see &#8220;On the lookout for electro-baroque und beethoven&#8220;). After listening to some recommended albums by The Nice and Emerson, Lake, and Palmer, I realized that I had totally forgotten to mention Claude Bolling.<\/p>\n<p>Beginning in the mid-70s when <span style=\"color:#777\"> . . . &rarr; Continue reading: <a href=\"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/claude-bolling\">Claude Bolling<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-80","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","odd"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Claude Bolling &#8226; Aharon&#039;s Omphalos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/claude-bolling\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Claude Bolling &#8226; Aharon&#039;s Omphalos\" \/>\n<meta property=\"og:description\" content=\"In an earlier post, I wrote about the influence of baroque on the development of progressive-electronic music (see &#8220;On the lookout for electro-baroque und beethoven&#8220;). After listening to some recommended albums by The Nice and Emerson, Lake, and Palmer, I realized that I had totally forgotten to mention Claude Bolling. Beginning in the mid-70s when . . . &rarr; Continue reading: Claude Bolling\" \/>\n<meta property=\"og:url\" content=\"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/claude-bolling\" \/>\n<meta property=\"og:site_name\" content=\"Aharon&#039;s Omphalos\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/aharonium\" \/>\n<meta property=\"article:author\" content=\"http:\/\/facebook.com\/aharonium\" \/>\n<meta property=\"article:published_time\" content=\"2006-07-24T04:22:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-01-07T23:19:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/03.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1881\" \/>\n\t<meta property=\"og:image:height\" content=\"973\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aharon N. 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His advocacy for open-source strategies in the Jewish community has been written about in the Atlantic Magazine, the Yiddish Forverts, Tablet, and Haaretz. He is particularly interested in pedagogies for advancing ecological wisdom, developing creative and emotional intelligence, and realizing effective theurgical praxes. He welcomes your comments, personal messages, and kind words. 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He is particularly interested in pedagogies for advancing ecological wisdom, developing creative and emotional intelligence, and realizing effective theurgical praxes. He welcomes your comments, personal messages, and kind words. If you find his work helpful to your own or you'd simply like to support him, please consider donating via his Patreon account.","sameAs":["https:\/\/aharon.varady.net","http:\/\/facebook.com\/aharonium","https:\/\/x.com\/http:\/\/twitter.com\/aharonium"],"url":"https:\/\/aharon.varady.net\/omphalos\/author\/admin"}]}},"jetpack_featured_media_url":"https:\/\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/03.jpg","jetpack_shortlink":"https:\/\/wp.me\/pgdGV-1i","jetpack-related-posts":[{"id":90,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/on-the-lookout-for-electro-baroque-und-beethoven","url_meta":{"origin":80,"position":0},"title":"On the lookout for electro-baroque (und beethoven)","author":"Aharon N. Varady","date":"July 1, 2006","format":false,"excerpt":"Part of the mystery of progressive rock in the 70s and early 80s were bands covering Beethoven and J.S. Bach. Listen for example to \"Beethoven's Ninth Symphony\" on Jethro Tull's A Sackful of Trouser Snakes (1977) or \"Cans and Brahms\" on Fragile by Yes (1972). In prog circles, this sub-genre\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":81,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/respecting-provenance-with-metadata","url_meta":{"origin":80,"position":1},"title":"Respecting Provenance with Metadata","author":"Aharon N. Varady","date":"July 21, 2006","format":false,"excerpt":"Fontgoddess has posted twice on her affection for metadata, providing examples of how others, even librarians, are tagging their files. I started out tagging with the quiet and devout rigour of a monk gilding the dome of the basillica, but I eventually gave up with the genre field of id3\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/adventure2600-luigi.hann-winamp-skin.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/adventure2600-luigi.hann-winamp-skin.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/adventure2600-luigi.hann-winamp-skin.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/adventure2600-luigi.hann-winamp-skin.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/adventure2600-luigi.hann-winamp-skin.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":85,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/baba-oriley-and-peter-baumann","url_meta":{"origin":80,"position":2},"title":"Baba O&#8217;Riley and Peter Baumann","author":"Aharon N. Varady","date":"July 12, 2006","format":false,"excerpt":"I'm listening to Trans Harmonic Nights by Peter Baumann (1979) and it's hard to miss why Tangerine Dream sounded so much better before he left that seminal electronic-space jam band in 1977. The artist knew how to sequence baroque melodies and sing lullabies into vocoders. Baumann must have been an\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/5110592.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":84,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/francois-bayle-and-laurie-spiegel","url_meta":{"origin":80,"position":3},"title":"Fran\u00c3\u00a7ois Bayle and Laurie Spiegel","author":"Aharon N. Varady","date":"July 16, 2006","format":false,"excerpt":"I picked up the compilation Ohm: The Early Gurus of Electronic Music from my local library a few years agoon the recommendation of a friend. I was prepared to be educated. I knew not to expect beautiful, haunting melodies as on Harold Budd and Brian Eno's Plateaux of Mirror as\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":88,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/jean-luc-ponty","url_meta":{"origin":80,"position":4},"title":"Jean-Luc Ponty","author":"Aharon N. Varady","date":"July 4, 2006","format":false,"excerpt":"I don't have too much to say about the genre of new Jazz fusion other than to point out certain tracks by Jean-Luc Ponty that absolutely stand out. Check out if you can, \"No More Doubts\" from his otherwise unremarkable 1987 album The Gift of Time. Jean-Luc Ponty helped to\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/folder-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":86,"url":"https:\/\/aharon.varady.net\/omphalos\/2006\/07\/gamelan-xylophone-and-computer-kitsch","url_meta":{"origin":80,"position":5},"title":"Gamelan, Xylophone, and Computer Kitsch","author":"Aharon N. Varady","date":"July 9, 2006","format":false,"excerpt":"I listen to the punctuated tones and hypnotic melodies of gamelan music and I begin to understand why I become so flustered when trying to describe ambient to friends (and relatives, co-workers, strangers on blogs and listserves). Ethereal, atmospheric, and drone sounds also describe elements of the ambient spectrum, and\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/aharon.varady.net\/omphalos\/category\/art\/music"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/computerwelt1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/computerwelt1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/computerwelt1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/aharon.varady.net\/omphalos\/wp-content\/uploads\/2006\/07\/computerwelt1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":3,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/80\/revisions"}],"predecessor-version":[{"id":2649,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/posts\/80\/revisions\/2649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/media\/2642"}],"wp:attachment":[{"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/categories?post=80"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aharon.varady.net\/omphalos\/wp-json\/wp\/v2\/tags?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}