An escutcheon (shield herald) for the landscape and lore of my imagination. . . . → Continue reading: Escutcheon for a Sanctuary of the Jewish Imagination in the Land Beyond the River Sambatyon
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An escutcheon (shield herald) for the landscape and lore of my imagination. . . . → Continue reading: Escutcheon for a Sanctuary of the Jewish Imagination in the Land Beyond the River Sambatyon At 161st Street and Grand Concourse in the Bronx, there is a highly ornate fountain named Lorelei located in a rather lonely park dedicated to dead poets. Inscribed at the base of Lorelei is the name and visage of a man — once upon a time, Germany’s favorite Romantic poet. Hitler tried his best to . . . → Continue reading: With Heine at Lorelei In the film Willy Wonka & the Chocolate Factory (1971), after Willy Wonka (Gene Wilder) proudly describes that in his lickable wallpaper “The snozberries taste like snozberries!”, an exasperated Veruca Salt snidely objects, “Snozberries? Who ever heard of a snozberry?” Willy Wonka grabs her mouth and explains “We are the music makers, and We are . . . → Continue reading: We are the music makers Just a few notes on the film Defiance. My housemate and I caught a free screening courtesy of gofobo.com and the Ritz East. The film is based on the 1993 book by Nechama Tec, Defiance: The Bielski Partisans, and it is an excellent story told well. Had it been a fantasy written by Tolkien it . . . → Continue reading: Hobbits, Jews, and Romantics in the Woods Yochanan Lavie, who regularly reads and comments over at failedmessiah.com, recently shared this poem inspired in general by the sickness and evil near the root of Aaron Rubashkin’s animal slaughtering and meat processing factory in Postville, Iowa, and specifically by Rubashkin’s use of PR flacks, paid industry “representatives,” and the Orthodox establishment to shill for . . . → Continue reading: Jeer at them |
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